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A large sized Imari porcelain tripod censer decorated with motifs of peonies, wonderfully drawn karashishi or Chinese style lions, dragons,and phoenixes. Large censers are often used in Buddhist temples, where extra censers would be used during ceremonies. Age: Edo Period. Size: Height 7″ Diameter Measures 6.
The origins of Satsuma Yaki date back to the 16th century. The local feudal lord, Shimazu, returned from the Korean peninsular with some potters who helped to.
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Tea bowl, White Satsuma ware
Even if you don’t speak, read or write Japanese, the markings on pieces of Satsuma pottery can be quite easy to decipher, providing that you follow some simple rules. To start, the markings are read in the opposite direction to English. Start at the top right hand corner and read down. If there are 2 lines of Kanji characters, move to the left and start at the top of the next line, reading downwards again.
Many of the Japanese makers marks on Satsuma porcelain or pottery are simply the name of the person who made the item, or a generic marking such as “Dai Nippon Satsuma”.
– Pair of antique s Japanese satsuma pottery vases by SimonCurtisAntiques on Etsy.
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Oct 23, fine pair japanese earthenware exported throughout the top of the mark, satsuma. In date back to date city of japanese meiji satsuma vase is hand painted in date.
Collecting Satsuma Pottery
Japanese, Satsuma porcelain ovoid vase, late 19th century, decoration of a woman and children, possibly Yabu Meizan Click to view additional photos Satsuma Tea Caddy. Buy and sell electronics, cars, fashion apparel, collectibles, sporting goods, digital cameras, baby items, coupons, and everything else on eBay, the world’s online marketplace.
Description A pair of late 19th century Japanese Satsuma pottery vases. Description A pair of Japanese Satsuma ware vases dating to the Meiji period c
By adapting their gilded polychromatic enamel overglaze designs to appeal to the tastes of western consumers, manufacturers of the latter made Satsuma ware one of the most recognized and profitable export products of the Meiji period. The precise origins and early innovations of Satsuma ware are somewhat obscure;  however most scholars date its appearance to the late sixteenth  or early seventeenth century. Satsuma ware dating up to the first years of the Genroku era — is often referred to as Early Satsuma or ko-satsuma.
Given that they were “largely destined for use in gloomy farmhouse kitchens”, potters often relied on tactile techniques such as raised relief, stamp impressions and clay carving to give pieces interest. The intense popularity of Satsuma ware outside Japan in the late nineteenth century resulted in an increase in production coupled with a decrease in quality. Collectors sought older, more refined pieces of what they erroneously referred to as early Satsuma.
The first major presentation of Japanese arts and culture to the West was at Paris’ Exposition Universelle in , and Satsuma ware figured prominently among the items displayed. Following the popularity of Satsuma ware at the exhibition  and its mention in Audsley and Bowes ‘ Keramic Art of Japan in , the two major workshops producing these pieces, those headed by Boku Seikan and Chin Jukan, were joined by a number of others across Japan. Eager to tap into the burgeoning foreign market, producers adapted the nishikide Satsuma model.
The resulting export style demonstrated an aesthetic thought to reflect foreign tastes. They were typically decorated with “‘quaint’ There was new interest in producing decorative pieces okimono , such as figurines of beautiful women bijin , animals, children and religious subjects. The mids saw the beginning of an export slump for many Japanese goods, including Satsuma ware, linked in part to a depreciation of quality and novelty through mass production.
Japanese Porcelain Marks Gotheborg. Nikko Nippon Nippon Jap. Height: 38 cm. Mark: Dai Nihon Satsuma Gyokusen zo. Meiji period, circa s.
Title: Vintage Japanese Satsuma Pottery Earrings, Price: $75 USD, Category: Satsuma pottery, originating in Japan, was most popular during the early 19th century. These earrings are set Jewelry and Antiques dating from to .
Satsuma, a city in Japan, has special meaning to collectors. Warriors and gods often are shown. The inside and outside of bowls have similar overall decorations. Colors used were beige, green and other muted shades, often with added gold decoration. Styles changed about to , when art nouveau and art deco designs — especially with pictures of irises — became popular. After , pieces had fewer delicate decorations, larger figures, darker colors and added black accents. These are vases more than 18 inches high.
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Satsuma pottery is the Western name for very collectable type of Japanese earthenware exported throughout the world since the Japanese Meiji period Japanese sources suggest the Satsuma pottery tradition dates from the 17thC, but firm identification of any pieces earlier than the 19thC is difficult. Kilns were established in the Satsuma area in southern Kyushu by Korean potters in the late 16th century. The first and very earliest wares are the rarest of the rare and were stonewares covered with a thick dark glaze.
During the mid 19th century the pottery that today, is recognized as satsuma pottery ware was created. It is a slightly yellowish earthenware.
It is a distinctive Japanese pottery present during the Meiji period ( Pieces bearing the mark on your vase, “Royal Satsuma,” date to the.
The history of Satsuma pottery cannot be seen separately from the history of Japan itself, because it is interwoven with the opening up of Japan after centuries of isolation, leading to an explosive demand for Japanese products from abroad and the need to produce in a way completely different as in the centuries before. But the history of Japan is long and not everything is equally relevant in this context. We therefore limit ourselves to what is necessary to understand the origin and further development of Satsuma pottery.
Also important is to understand the role of the Emperor within the social system and the balance of power of Japan. Until that time the Emperor was considered divine and therefore inviolable. Although the Japanese emperors were powerful in the early and mid-period, much political and military power fell into the hands of the emperor’s advisers at the beginning of the seventh century. These advisers however still needed the permission of the emperor in their decisions, since he had divine authority over everything.
The role of the emperor changed during the twelfth century when the advisers were replaced by feudal warlords called the Shogun. After the Minamoto period, the shogunate came into the hands of the Ashikaga family Later the central authority in Japan disappeared altogether, and although the Ashikaga family remained shogun until , their position in the 16th century was only a paper power. This changed after the Battle of Sekigahara in , one of the most important historical events of Japan.
The Battle was won by the Tokugawa clan. The Tokugawa would be the most powerful clan to be and ruled for years with supreme power. The previously so powerful position of the daimyo became secondary to that of the Shogun.